La tempete cie sandrine anglade

A set of original melodies from Johnson (1583-1633) and some anonymous, together with some addings from Dowland or Purcell, reviewed for voice, accordion and guitar underlie and rhythm the spectacle. With a sound universe and soloist or polyphonic songs, the music inhabits the Propero island with rumours, noises and melodious tune. This imbrication of the music and the theather is even stronger as all artists have a strong capacity to switch from song to play, just like the musicians completely integrated in the theatrical performance.